Written by Chen Bichun
Many stories and legends have grown up around “Uncle Hoa’s Mansion” (Nhà
Chú Hỏa), the former residence and workplace of the Hui Bon Hoa family in
Saigon which now houses the Hồ Chí Minh City Fine Arts Museum. Following
lengthy correspondence with Uncle Hoa’s descendants in Paris, Chen Bichun sets
the historical record straight.
Hui Bon Hoa (Huáng Wén Huá, 黃文華) was born in Xhamen in
1845. When he was 20 years old, he came to Saigon from Fujian province of China
looking for work, and finally landed a job working in a pawn shop belonging to
the Ogliastro company. His boss, Mr Antoine Ogliastro, suggested that he should
apply for French nationality in order to build their further partnerships, and by
1887, Hui Bon Hoa had become a naturalised French citizen. The French pronounced
his Chinese name according to the sounds of the Hokkien dialect as Hui Bon Hoa,
so henceforth; Hui Bon Hoa became the family name.
 |
| Family
patriarch Hui Bon Hoa (photo provided by Fernand Hui Bon Hoa) |
Hui Bon
Hoa’s main business activities were pawn shops and real estate. As he began to
prosper, his three sons, Thang-Hung Hui Bon Hoa (黃仲訓), Thang Chanh Hui Bon Hoa (黃仲讚) and Thang Phien Hui Bon Hoa (黃仲評), also came to Saigon to help him take care of the family business.
With their input, the family made other investments and gradually accumulated
great wealth. In his old age, Hui Bon Hoa returned to China with his wife, and in
1901 he died and was buried in Quanzhou.
 |
The second generation of the Hui Bon Hoa family. From left to right: Thang Chanh, Thang Hung and Thang Phien Hui Bon Hoa (photo provided by Fernand Hui Bon Hoa)
|
The registered address of the Hui Bon Hoa Company was
97 rue d' Alsace-Lorraine (modern Phó Đức Chính street), and in the late 1920s,
four large buildings were constructed at this site, eventually occupying much
of the block encircled by rue d’Alsace Lorraine, rue Calmette, rue d’Ayot (Nguyễn
Thái Bình) and rue Hamelin (Lê Thị Hồng Gấm). These were:
1. The building of the Hui Bon Hoa company;
2. The building of Thang Phien Hui Bon Hoa;
3. The building of Thang Hung Hui Bon Hoa; and
4. The building of Thang Chanh Hui Bon Hoa.
Today, the buildings of the
Hui Bon Hoa company and of Thang Hung Hui Bon Hoa are home to the Hồ Chí Minh
City Fine Arts Museum, while the building of Thang Phien Hui Bon Hoa is
curently rented to a tenant. Sadly, the building of Thang Chanh Hui Bon Hoa no
longer exists.
 |
| An advertisement for the
Société Immobilière Hui Bon Hoa in the Guide pratique, renseignements et
adresses. Saigon, Imp. J. Aspar, Saïgon, 1934 |
The Hui Bon Hoa buildings are very famous in Saigon, but
although they are still collectively known in Vietnamese as "Nhà Chú Hỏa"
or "Uncle Hoa's Mansion," they were built nearly three decades after
the death of patriarch Hui Bon Hoa. Chinese people called the Huáng Róng Yuăn
Táng (黃榮遠堂), which was also the company name in Chinese.
1. The building of the
Hui Bon Hoa company, now part of the Hồ Chí Minh City Fine Arts Museum
 |
| Photo
by Chen Bichun |
The Hui Bon
Hoa company building was the first of the four to be constructed. This was the
headquarters of the Société Immobilière Hui-Bon-Hoa, SIHBH）. The ground floor was reserved for company
business, while the upper floor housed the family living area, including a
traditional Chinese ancestral hall for worship. Thang Hung wrote poetry, and it
was here in 1931 that he carved Chinese characters onto a horizontal inscribed
board to commemorate the fact that he and his brother Thang Chanh could that
year claim a combined age of 100. Ever since that time, the Chinese names of
each successive generation have used one character from those on the board in
sequence after the family name, Huáng 黃. For example, the Chinese name of Fernand Hui Bon Hoa, the grandson of
Thang Chanh Hui Bon Hoa, is 黃元仁 (fourth generation), while his father’s name is 黃慶杉 (third generation). In this way,
the family can understand which generation they are in the Hui Bon Hoa family,
based on their Chinese name.
 |
| Thang Hung’s carved poem (photo provided by Fernand
Hui Bon Hoa) |
By 1975,
all of the Hui Bon Hoa family had left Việt Nam and the horizontal inscribed
board disappeared. However, when one of the cousins of Fernand Hui Bon Hoa
visited Việt Nam in 2007, he was lucky enough to find it in the hands of a
street vendor, so he bought the board and took back to Paris.
Many
important events were held in the Hui Bon Hoa company building; guests were
usually hosted in a large dining hall, located behind the first floor lobby.
Behind the building was a family tennis court.
 |
| The funeral of Thang Chanh Hui Bon Hoa, held in front of the company
building in 1934 (photo provided by Fernand Hui Bon Hoa) |
2.
The building of Thang Phien
Hui Bon Hoa
 |
| Photo
by Chen Bichun |
The building of Thang Phien Hui Bon Hoa was the second
building to be constructed in the Nhà Chú Hỏa complex, and when it was
completed, some of the family moved into this building. The architectural style
was similar to the building of Thang Hung. Today, the lower floor is rented out
to the Nostalgie Club, while the third floor is rented out as an apartment. However,
the building will also soon become part of the Hồ Chí Minh City Fine Arts
Museum.
3. The building of Thang Hung
Hui Bon Hoa
 |
| Photo
by Chen Bichun |
Currently
the main exhibition space of the Hồ Chí Minh City Fine Arts Museum, this was
the most luxurious residential building in the Nhà Chú Hỏa complex. According to
the brief of the Fine Arts Museum, construction of the building began in 1929
and it was completed in 1934. Recognized for its subtle
fusion of oriental and western art deco
design elements, the building became very famous in the Chinese world and in
1933 it was singled out for praise by The
Chinese Times newspaper in Canada as the most luxurious building in Saigon.
The building
was constructed as the residence of Tang Hung Hui Bon Hoa, a second generation member
of Hui Bon Hoa family. Born in 1876, he grew up in Xiamen and went to Việt Nam
to work with his father after his marriage. In the 1910s, he went to Gulangyu
Island, Xiamen, where set up the Huáng Róng Yuăn Táng (黃榮遠堂) and became involved in the real estate
business, quickly becoming a successful and wealthy businessman in Gulangyu. Even
today, there are still many luxurious buildings there which were constructed by
Huáng Róng Yuăn Táng.
After his
brother Thang Chanh died, Tang Hung returned Saigon to manage the family
business in Việt Nam. He remained there throughout the colonial period and
passed away in 1951 in Saigon.
The Hui Bon
Hoa family left Việt Nam in the early 1970s, and after Reunification in 1975,
the Vietnamese government took possession of the Nhà Chú Hỏa complex,
which was initially used as an information and culture center. In 1987, the Hồ Chí Minh City Fine
Arts Museum was established here and in 1992 it officially opened to visitors.
According
to the law of the Vietnam War Convention in 1996, French citizens who lived in
Vietnam before 1975 are eligible get compensation for loss of property;
therefore the Hui Bon Hoa family received a little compensation from the French government for the loss of the Nhà Chú Hỏa.
4. The building of Thang Chanh
Hui Bon Hoa
 |
Photo provided by Fernand Hui Bon Hoa
|
Although this
building was known as the building of Thang Chanh, he never actually lived in it.
It was constructed after Thang Chanh passed away, when the family asked a French
architect to design a residence for Chung Chanh’s wife and sons in the art deco style.
Thang Chanh
Hui Bon Hoa was the third son of Hui Bon Hoa. He was born on 10 November 1877 in Quanzhou, and after his marriage
he went to Saigon to assist his father in business. He was known as a very
smart businessman and under his management the family’s real estate business
boomed. He purchased a great deal of land when real estate prices were low and
built up a portfolio of many houses to sell and rent to others. It was thanks
to Thang Chanh’s successful stewardship of the family business that the Hui Bon
Hoa family became the richest family in Saigon. Thang Chanh lived in Saigon until
his death in 1934.
After he
died, Thang Chanh’s sons continued to work in family company. However, from the
1950s, members of Thang Chanh’s family began to move one after the other to
other countries. After 1975, the Thang Chanh building became a Vietnamese bank,
but a few years ago it was demolished.
The Hui Bon Hoa Family cemetery
In times gone by, most overseas Chinese wished to return
to China to be buried in their homeland after their death. That is why, in
their old age, family patriarch Hui Bon Hoa and his wife returned to live in Quanzhou,
Fujian province, where they were buried. However, their tombs later
fell victim to grave robbing.
Second-generation members of the Hui Bon Hoa family
were Franco-Chinese, even they had been born and brought up in China. Since by this time the
foundation of the family business was in Việt Nam, they hoped that their descendants
would remain in Việt Nam forever, so they decided that after their deaths they should
be buried in Việt Nam. For this reason, they acquired a family plot in a
Chinese cemetery in Đồng Nai province, where Thang Hung, Thang Chanh and other family members
were buried. A master sculptor from China was brought to Việt Nam to design
and build the ornately-carved tombs. A local person was also hired to take care
of the tombs and a house was provided for this grave keeper to live in. To this
day, the grave keeper and his family still live there and look after the tombs
for the Hui Bon Hoa family.
Since 1991, several members of the Hui Bon Hoa
family from all over the world have travelled to Việt Nam to visit their ancestral
tombs.
 |
| The
tomb of Thang Chanh in the Chinese cemetery in Đồng
Nai province (photo provided by Fernand Hui Bon Hoa) |
When the Hui Bon Hoa family was living in Việt
Nam, they became skilled in the art of generating family
wealth, but they also understood the
importance of giving back to the community which had made them rich. In this
way, the famous Vietnamese historian Vương Hồng Sển pointed out
that Hui Bon Hoa was famous in Saigon, not only for
being one of the wealthiest men in Cochinchina, but also for
his philanthropy.
Many of the houses in Saigon, Gia Định and Chợ Lớn owned
by the Hui Bon Hoa company were made available at very low rent to poor people
who would not otherwise have had a place to live. The
important contribution this made is borne out by the old Saigonese proverb “ở phố Chú Hỏa,”
which suggests that the best place to live was on a street of
houses built by Uncle Hỏa.
Today, many valuable buildings constructed by
the Hui Bon Hoa company still exist in Hồ Chí Minh City. Apart
from the Hồ
Chí Minh City Fine Arts Museum, these include the Majestic Hotel (Khách sạn Majestic, 1925), the Government
Guest House (Nhà khách Chính phủ, 1930s) on Lý Thái
Tổ street and many Chinese schools in the Chợ Lớn. In 1937, the Hui Bon Hoa Company also provided
both the land and the money to build the Từ Dũ Hospital
(Bệnh viện Từ Dũ), still one of the most important hospitals in Hồ Chí Minh City. Many old Saigonese
people still remember the generosity of the Hui Bon Hoa family.
In 2011, Fernand Hui Bon Hoa received an email from a Vietnamese American who wanted to come and visit Fernand in Paris to thank the Hui Bon Hoa family for what they had
done. He explained that when he lived in Saigon he had been too poor to cure his seriously ill mother, but the Hui Bon Hoa hospital had treated her and
cured her of her illness. All these years later, he still appreciated the help he had received from the Hui Bon Hoa family, and in 2011 he got the chance to express his appreciation by travelling to Paris
and presenting Fernand with a special plaque for Hui Bon Hoa family.
 |
Photo provided by Fernand Hui Bon Hoa
|
Since the Nhà
Chú Hỏa complex became the Hồ Chí Minh City Fine Arts Museum, it has attracted the
attention of thousands of tourists from all around the world. Today, more and
more people have expressed interest in the history of the Nhà Chú Hỏa and I am
one of them.
On the
first occasion I visited the Fine Arts Museum, five years ago, I only knew that
the owner of the building was a Chinese man named Hui
Bon Hoa. For a long time I tried to find out more information about this Hui
Bon Hoa, but I couldn’t find anything about him in Chinese, nor from books in
Vietnamese and French. Fortunately, at the end of last year I received a response
from Fernand Hui Bon Hoa, and since that time we have corresponded regularly to
clarify the history of Hui Bon Hoa family. This year, I visited the Hồ Chí Minh
City Fine Arts Museum again and it inspired me to write this article. The story
of the Nhà Chú Hỏa is not just a story, it’s an important part of Saigon’s
history.
